Our paper argues that fair competition in music streaming is restricted by the nature of the remuneration arrangements between creators and the streaming platforms, the role of playlists, and the strong negotiating power of the major labels. It …
Many people believe that if you play your favorite song again, the artist will receive more money. Unfortunately, this is not the case. But the French Centre National de la Musique imagines a world where this would happen.
At last, Reprex has its own company website, leaving the two flagship project sites, the Demo Music Observatory and the Listen Local separate. We are back to blogging after a particularly difficult lockdown period.
We needed a database of Slovak music to show how that national repertoire is seen by media and streaming platforms, how can we give it greater visibility in radio and streaming platforms, and what are the specific problems why certain artists and music is almost invisible.
Regulating black box, private algorithms and data monopolies is only a first step to damage control. Deploying white, transparent algorithms and building collaborative or open data pools can only guarantee fairness in the digital platforms, in recommendations, and generally in the use of AI.