pricing

Private Copying in Croatia

My study, Private Copying in Croatia, argues for an overhaul of the Croatian private copying remuneration scheme and gives some empirical evidence for the transposition of the DSM Directive. Even for those who are not interested in royalties, the first 3 chapters offer a very interesting introduction on how people listen to music, how musicians make music and how people copy it in the 21st century.

CEE Mini Recording Industry Workshop

I presented my market view and experience with distinguished colleagues from the Baltic states, Central Europe and the Balkan, representatives of WIN and IFPI and the international indie distributor State 51. We had a lively discussion on why emerging markets are emerging so slowly in the new digital music business.

Value added by music in public performance and home copying: economic theory and empirical applications for tariff setting

My short presentation highlighted the fact that the CEE region’s is much richer in terms of household cultural and recreational spending than music publishers believe.