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Daniel Antal
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dataset: Create Interoperable FAIR Datasets
statcodelists: Use Standardized Statistical Codelists
KharkivMusicFest in 2022 - Concert Between Explosions
Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies
An Empirical Analysis of Music Streaming Revenues and Their Distribution
New spotifyr R Package Release
Trustworthy AI: Check Where the Machine Learning Algorithm is Learning From
Reprex is Contesting all Three Challenges of the EU Datathon 2021 Prize
Recommendation Systems: What can Go Wrong with the Algorithm?
Upgrading the Slovak Music Database: New Data API, New Features
'In this Age Everyone Has to be Her Own Businesswoman, I Find this Somewhat Ridiculous'
The Problem of Gender Bias In Machine Translation
The Problem of Gender Bias In Machine Translation
Feasibility Study On Promoting Slovak Music In Slovakia & Abroad
The Healing Effect of Sound and Music
From France: Destination East
Lapee: Making Festivals More Accessible For Women
Beyond Human: Jazz Popcorn Robot
Our Music Observatory in the Jump European Music Market Accelerator: Meet the 2021 Fellows and their Tutors
Open Data Day Interview: Mapping Data with Milos Popovic
Do Independent Labels and Major Record Labels Compete on a Level Playing Field When It Comes to Streaming?
Music Streaming: Is It a Level Playing Field?
Music Streaming: Is It a Level Playing Field?
Daniel Antal, co-founder of Reprex Was Selected into the 2021 Fellowship Program of the European Music Market Accelerator
What If Your Stream Count Would Count For The Artists?
Reprex Joins The Dutch AI Coalition
Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies
Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies
Save The Date: Open Data Day 2021 on 6th March
Save The Date: Open Data Day 2021 on 6th March
Reprex Website
Feasibility Study On Promoting Slovak Music In Slovakia & Abroad
Demo Slovak Music Database
Listen Local: Why We Need Alternative Recommendation Systems
Tiny Rooms: A Label That Connects DIY Scenes
Reproducible research in practice: empirical study on the structural conditions of book piracy in global and European academia
Can scholarly pirate libraries bridge the knowledge access gap? An empirical study on the structural conditions of book piracy in global and European academia
Listen Local: The Youniverse from East to Southwest
Turning Tide: hCaptcha Competes With Big Tech On Privacy And Market Share
Future Audience: Size Of Music Discovery Age Populations In Europe
Who Is Not Recommended On Spotify?
Feasibility Study For The Establishment Of A European Music Observatory & The Demo Observatory
The Welsh Music Industry In International Comparison
Launching Our Demo Music Observatory
Creating An Automated Data Observatory
retroharmonize R package for survey harmonization
iotables R package for working with symmetric input-output tables
Central & Eastern European Music Industry Report 2020
Private Copying in Croatia
Streaming Market Growth on European Markets
National Market Shares on Spotify Hitlists
Musicians’ Living Standards And Life Satisfaction In The CEE Region
Eurpoean Comparison: How Many People Ever Pay For Music, Film or Software
Slovak Music Industry Report
CEE Mini Recording Industry Workshop
CEEMP Session: Licensing, How To Tackle The Value Gap And A Discussion on Licensing Initiatives
Changing Musician Career Paths
regions R package to create sub-national statistical indicators
Mapping the Croatian Music Industry
Granting And Policy Evaluation For Musicians In Hungary
Hungarian Music Industry Report
Value added by music in public performance and home copying: economic theory and empirical applications for tariff setting
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